New noir art

Just posted this page on the huzzahnoir blog. First huzzah I've done in a while, and if you were checking my blog it looks like the first art in while. Not true, I'm working on a secret project with Jason Cobley, and I'm really enjoying it, wish I could show something, but we've decided to keep it under wraps for now. Sorry!

Some noir

Finally done some drawing! It was definitely a struggle to start with, but Huzzah has a deadline and that helps focus your mind, and I did learn a few things - mainly that I should block in shapes and compose before I start drawing.

This is for the Huzzahnoir blog, which I hope everyone is following. It's taken a move into slightly different territory recently with a time and location change to WWII Paris, looking at the story so far it seems inevitable and planned, and expands things nicely. I also got a chance to dig through some holiday snaps for reference.

Noir

Think I've hit a personal best for speed with my latest contribution to Huzzahnoir. Missed deadline by 15 minutes, but managed 2 pages. It's a little cramped in places to fit in the dialogue and I had to trim some of it, but apart from that I think it's an improvement on the first page I did. Scribbling very rough pencils then using a chunky marker to pick out the key bits is very satisfying, the really trick is learning how to refine those initial pieces without losing what makes them work in the first place.

Huzzahnoir

There's a new Huzzah in town, this one's Huzzahnoir, and I think the title's a fair clue to the subject matter.
Crime is one of my favourite genres (the other is horror), and I lean towards the hard boiled crime of Hammett and Chandler (although my favourite crime writer is Jim Thompson), although there's plenty of later authors I like very much, Ross Macdonald springs to mind, and Richard (Donald E. Westlake) Stark. And I've mentioned a fair bit of the Hard Case Crime line in this blog before.
Anyway, Huzzahnoir is right up the lonely street that this man must walk.
I wanted something that combined loose brush solid black inky areas with lines picking out and implying detail.
Here's the rough sketches of three of the plates, as usual I prefer them to the finished art, sadly they were too rough to use.